7/3/2023 0 Comments Best f1 2019 images![]() Stu: We were exploring a bunch of different ideas we hadn’t taken on before On a musical level, We wanted to explore unusual and shifting time signatures throughout the record, but also make sure it was rhythmically straight that something you could bob along to and sing along to. Judie Is there a resounding theme behind Nonagon Infinity? It had 9 songs, it doesn’t deviate from there. Judie: Nonagon Infinity… Is there significance behind the number 9? Linking the final song to the first was no harder than making the other songs. It made more sense as a loop than as a start and an end point. I think seeing the writing process, we thought we should loop it back up. There were recurring motifs and musical parts that sort of blur the lines of the traditional song structure of a record. Stu: Originally the concept was to make a record which flowed sort of like one piece and was like non-interwoven parts that made more sense as a whole. Judie: What prompted the decision to make Nonagon Infinity an infinite loop album? They were all quite different to each other. Then on Nonagon Infinity, that was a more traditional record in the way that I was bringing rough ideas to the table and then they got flushed out. It was done in stages where people played different kind of instruments, or swapped instruments. It wasn’t everyone playing on every song on that record. ![]() For each of those songs, it kind of belonged to that person and it was shaped by them. Joe wrote 2 songs, Cook wrote 1 song, Ambrose and I wrote a song together. Paper Mâché Dream Balloon was more a singer/songwriter style. The record was constructed out of these improvised sort of pieces. It was very free to interpret those in anyway you felt fit. Thinking back on the last few, when Quarters! was made, there were only 4 songs and it was very improvised. I guess every record had a bit of a theme and how it was written. Stu: It’s been different for every record. Judie: How do you collaborate with the rest of the band to incorporate their creative input? It’s always been a big recording project with the band. We love recording and being creative and making new music. ![]() We haven’t been crafting these years-long pop/commercial records, though I understand how it can take such a long time to make a record like that. I think if we hadn’t have worked at that pace, we wouldn’t be working on what we are now. Stu: I think it’s completely integrating to creativity. How taxing is that on you and your creativity? Do some of the songs you write just carry over from previous projects? How do you keep from burning out? Judie: You’ve been releasing an album a year essentially since 2010. as part of the museum’s Sonic Sessions series sponsored by Magic Hat Brewing Company. They’ll be playing a show there today, May 9 at 8:00 p.m. We chatted about the music making process behind the band’s numerous albums, including their most recent, Nonagon Infinity, as well as their first visit to the Rock & Roll Hall of Fame in Cleveland, Ohio. I got to speak with lead singer, Stu Mackenzie, while he and the band were travelling through the mountains to their next show in Asheville, North Carolina. With nine songs, the heavy guitar riffs will melt your face, make your ears ring, and the lyrics will rocket you into another world entirely – only to do it all over again when the album loops. King Gizzard & the Lizard Wizards have invoked the four horsemen of the apocalypse to deliver Nonagon Infinity, the first infinitely looping album, meaning the end of the last song connect to the beginning of the first song. Now in 2016, their eighth album, Nonagon Infinity, is in stark contrast. However, in the same year, they released Paper Mâché Dream Balloon, a folk-driven record that was saturated with downtempo, acoustic rhythms and jazz flute solos. 2015’s Quarters! was made up of 4 songs, but each was timed perfectly at 10 minutes and 10 seconds each. The band always looks to exploring and developing new music, and continue to challenge themselves. Looking back on their discography, King Gizzard & the Lizard Wizard have released a record every year each having its own unique sound and theme. Since the band’s inception in 2010, the Australian psych-rock septet have not ceased creating music or experimenting with sounds.
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